Week 16 · 19 April 2027 – 25 April 2027
The three hardships
Chapter 32 Against Extravagant Music I
This week's question
Mozi says 'the people have three hardships: the hungry get no food, the cold get no clothing, the weary get no rest.' He does not oppose music itself; he opposes spending on bells, drums and palaces while the three hardships remain. He asks: does striking a bell fill a hungry stomach? In your city or community, are the three hardships solved? If not, what did the most recent 'bell and drum' (a festival, a landmark, a prestige project) cost? Would replacing it with a project on the three hardships pass the three tests better?
This week's practice
This week find one person in your community who is 'weary and gets no rest' (a delivery rider, a caregiver, a cleaner, a family member nursing someone sick) and do one concrete thing that lets them rest for a while.
Introduction
非乐上, Against Extravagance I, is the most misunderstood of the ten doctrines. The title literally says "against music," and many conclude that Mozi had no sense of beauty. Read the chapter and you find he is against something else.
He draws the line at the start: "The reason Master Mozi condemns music is not that he thinks the sounds of great bells, drums, zithers and pipes are not pleasing, nor that carved and painted ornament is not beautiful, nor that roasted meat is not delicious." He is not saying bells sound bad, carvings look bad or meat tastes bad. He is saying: "examined above, they do not match the deeds of the sage kings; measured below, they do not match the benefit of the people."
Then the central passage: "The people have three hardships: the hungry get no food, the cold get no clothing, the weary get no rest. These three are the people's great hardships." Then he asks: "Now if we strike the great bells, beat the drums, play the zithers, blow the pipes and wave the shields and axes, where will the people's food and clothing come from?"
His ledger runs like this. Casting bells means taxing the people. Playing them takes the able-bodied: "if men do it, it takes them from plowing and planting; if women, from spinning and weaving." Those who listen are the rulers, who neglect government while they listen; if the people listen with them, the people stop producing. Every step consumes resources that could relieve the three hardships.
He quotes the ancient kings: "Qi gave himself to pleasure and feasted in the wilds," and that was the beginning of a dynasty's fall.
Notice what Mozi does not say. He does not say enjoyment is a sin or beauty a mistake. He is talking about priority: while the three hardships exist, solve them first. Today we read 非乐 as "against extravagance," against spending public resources on show, not against art. The Community has 科技堂, it has 墨辩, and people sing. Against extravagance is not against music.
The three tests
All three tests are used. Precedent: the sage kings did not stage great music. Evidence: anyone can see hunger, cold and exhaustion. Application: bells do not feed the hungry, so they do not benefit.
Push the third test one step. Mozi counts only direct costs. Does art have indirect benefit: cohesion, morale, continuity? If so, how is it measured? This is the most common criticism of 非乐 and deserves an honest answer, not avoidance.
For families
- Teach the three hardships to a child: hungry, cold, tired. Ask: who around us is hungry, cold or tired?
- Look together at the cost of a big celebration and ask: what could that money do for the three hardships?
- Let a child pick their favorite "music" (a game, a cartoon) and ask: if someone at home were hungry, what would you do first?
For chapters
- Reading: the passage "the reason Master Mozi condemns music," and the passage "the people have three hardships."
- Debate: focus on whether 非乐 is against art. Ask a Mohist who loves music to speak first.
- Three-tests review: bring back the question left from week 14, the boundary of "use." Does art "add to benefit"? Record the chapter's conclusion.